Category: Art, Film & Music

I had the haunting Irish tune of ‘Down By The Salley Gardens’ on my mind and turned to lovely Youtube. I did the rounds, Kathleen Ferrier- sublime, Orla Fallon – beautiful, Marianne Faithful – shallow, and Clannad, performing authentically in an Irish pub – haunting, wistful, and satisfying. And as I flitted from one version to the next, I stumbled on William Butler Yeats himself, reading his poem (though it was based on an old Irish folk song).

It was magic listening to the real voice of the poet, and reminded me what a gift recording is. I never had much time for Yeats in his monocle and black cloak, who left Wilfred Owen out of the Oxford Book of English Verse because he suspected Owen of pacifist sympathies. Yeats, in his fifties, didn’t fight in the war, but Owen was in the trenches for the whole four years, writing the finest war poetry, and dying in an attack across a canal in the last week of the war. So Yeats, born in 1865, doesn’t do it for me, but to hear his voice, echoing across historic centuries was still a thrill.

On the sidebar, there was Virginia Woolf reading on the BBC in 1939, a year before she walked into the river, and never came back. It’s the only recording we have of her. I clicked – of course – and listened to this wonderful voice reading her thoughts on words, entranced as her imagination soared and she opened new worlds of ideas. Her beautiful diction and resonant tones gave an idea of the layers of meaning and perception that she applied to life and art.

Then Alan Rickman showed up at the side, reading Shakespeare’s sonnets. Hearing that mellifluous voice, reading the cadences of Shakespeare’s phrases and innermost thoughts was so moving. But since Harry Potter is never far from us these days, there was Rickman also in his role as Severus Snape. And once hooked into the world of Harry Potter, I couldn’t go past Emma Thompson as Sybil Trelawny in a scene which has never been shown, as it was cut. Shame. I laughed till the tears ran down my face as she tried to eat her meal in a state of total panic and confusion – doesn’t sound funny, I know, but you haven’t seen it.

I was watching, of course, a master, as were Rickman, Woolf and Yeats. Watching or hearing a master is an experience which stirs the soul. Sitting at a concert of Joan Sutherland , every time she came on stage and that glorious sound rang out, the tears just rolled down my cheeks. Listening to Yehudi Menuhin was like entering a mysterious world of spirit, and sitting motionless, holding my breath, as Kathleen Battle, in black with a cyclamen pink stole about fifteen feet long, sang to a packed hall of spellbound concertgoers is one of my treasured memories.

Masters reveal a world of universal connections, and seeing a Leonardo or a Michelangelo takes us into that same world of universal values of beauty and truth. But one of the favourite books on my shelf is a collection of sonnets to the woman he loved, by Michelangelo, and I love them precisely because he was n’t a great poet, as he was a great artist. In his poetry he shows the side of him that struggles with the same ordinariness – or perhaps I mean common humanity – as the rest of us. As an amateur poet, he is exposed in these poems, while in the mastery of his art, it’s his greatness that we see.

So while I am awed by, and grateful for mastery, there is something very beautiful about amateurishness. Many years ago, on New Year’s Eve at a party in Somerset, I had struggled all evening to look as though I was having fun with a group of people I didn’t know, and had nothing in common with. I was staying with friends, who had taken me with them. As midnight approached, we all gathered in the main hall of the castle, and a man asked if there was anyone who could accompany him on the piano. With no takers, he said he’d sing anyway. I cringed, wondering if he would embarass himself.

And so began one of the loveliest moments of my life. He sang ‘My love is like a red, red rose’. Not professionally, but honestly and lovingly. All our egos which had jostled and struggled to keep their ends up all evening stood transfixed. A long silence followed the ending of the song, and there was a softness in the room and on the faces of everyone. The evening changed. His courage in exposing himself to us all had somehow broken the barriers that separated us. Warmth and kindness showed in every face.

I’ve heard another song sung like that in a voice that had no training, and nothing to recommend it except sweetness of tone, and sweetness of character. And it was just as moving. So while mastery is a sublime experience, the love and honesty that we lesser mortals have to offer, is just as precious in its own way.

Food for Threadbare Gourmets If we’re having something ordinary to eat, and I need to give it a bit of a lift, I make our family favourite, culled years ago, from the pages of Elizabeth David. I only used to make it at Christmas, for the adults, but one memorable year, the grandchildren discovered it, and gobbled it up under the affronted and greedy gaze of all the grownups. So now I make about three dishes of it, and there is a great big potato peeling bee on Christmas Eve, and some of the children eschew the turkey, plumping for the potatoes, and only moving on to the rest of the feast later. If there’s any left over, they eat them for breakfast! So I always make it now when the family come, and often for dressy meals with friends.

All you need are potatoes, garlic and lashings of cream. I use Agria potatoes, which mash well, and also in this dish, absorb the cream. Slice the potatoes thinly into rounds, and pat them dry. Butter a shallowish baking dish, and layer the potatoes in, every now and then anointing the layers with salt and pepper, chopped garlic and a few knobs of butter. When the dish is nearly filled, dot the top with butter and pour in as much cream as you need to nearly cover the potatoes. Bake for an hour or more in a moderate oven. If the cream has dried up by the end, I pour more into the crevices, and put back in the oven for a few minutes. It can be cooked the day before and re-heated, but give it plenty of time. It’s delicious with any meal, and with a few vegetables is also a lovely vegetarian meal.

Food for Thought

Ad on Trademe: One toothpick with a FREE son included ( I’m sure there is some law which forbids me trafficking in humans, hence the toothpick)…being a teenager he requires large amounts of food (meat and candy mostly, despite the fridge being full of fruit and veg.) Uses power enough to run a small town ( computer, TV, PlayStation and assorted electrical gadgets as well as always leaving the fridge door open) Unfortunately he is short-sighted and unable to see unwashed dishes, grime, towels on the floor or skid marks. Requires 14 hours of sleep per day. Needs a soundproof room as he either slaughters pigs in there or plays heavy metal (sounds the same to me)

Don’t suppose he managed to get rid of him… there’s a glut of teenage boys like this, I suspect.

Yesterday afternoon I was thrown out of the cinema. Friend and I had gone to see our favourite film before it went off. Quarter of an hour into the familiar dialogue, chuckling at the jokes we’d laughed at before, the film disappeared and a weak little light appeared at the top of the stairs. We waited for them to fix the tape, but instead a girl appeared and said it was a power cut. Great gnashing of teeth. I was thankful for the feeble light by the stairs, imagining what it would have been like to have been plunged into total darkness, and a stampede for the only exit at the bottom of the stairs.

Sitting around outside, they finally told us to go home. Couldn’t give us a refund, because the till wouldn’t open without electricity. So they gave us another ticket.

Before going home, I said I’d just get some tomatoes for my husband’s supper – cold – since I was going to Tai Chi. The grocery was in flat panic. Dark, with no lights, blinds down over the open chilled shelves. I asked to give them some money for the tomatoes, but they had to go to the back and find the key to manually open the till. Then they didn’t know how much they were, because the price would have come up on the till… so off they went to the office to find the list of stock prices, and finally I managed to buy the tomatoes. Thank heavens I didn’t need any petrol. The whole little town was buzzing in despair and panic, no-one could even go to the loo.

Back home, I thought about The Great Storm of four years ago. Most of the country had been blacked out, but power was restored over a few days. In our neck of the woods however, where concrete power poles had been crumbled all over the road like biscuit crumbs, and a tree had come down over the generator across the road from us, we were powerless for five days.

A different world opens up. We catch rainwater on the roof, store it in a huge tank, and pump it into the house. But no electricity equals no pump, equals no water. No water for drinking, washing, washing clothes, washing dishes, flushing the loo. No power meant no cooking, no lighting, and no TV or stereo. Luckily we could open our garage manually, but some friends had no other way of getting into their garages, and were marooned with their car behind the immoveable garage door.

So I boiled water on a camp fire and on the wood burning heater, fried eggs and bacon, and boiled soup. Didn’t dare open the deep freeze for fear of losing the still frozen contents, and resented opening the fridge for butter, milk and the like. The village store was in darkness, their fridges going on a generator, the garage was closed. No help at the fish and chip shop. Unwashed dishes piled up. Unwashed clothes accumulated. We had to get used to unwashed bodies. Some people cooked on their barbecues, some people had no form of heating except electricity, and froze.

After a couple of days we began to gingerly adjust. I drove to a nearby town which had the power on, and bought water and lots of extra pairs of underpants and panties. My husband thought of using buckets of water from the swimming pool next door – my daughter’s holiday home – to flush the loo. I never got used to not having my electric blanket, but at least we had a hot water bottle. Candles made the house look and feel beautiful, but the light wasn’t good enough to read by at night. Some neighbours used miners’ lamps, clipping them round their heads to go to bed and read. It worked apart from the large circle in the middle of their foreheads from the pressure.

I read today that the Blessed Bill Gates has offered a prize for a loo that works without water, electricity or a septic tank – all components of our system here – a loo that costs only five cents a day to run, preferably captures energy, and discharges no pollutants. A number of brilliant solutions have been invented. And the idea is to provide safe sanitation for the 2.5 billion people around the world who don’t have it.

I think we should all be able to buy these loos. Our over-crowded world desperately needs sustainable solutions like these for everything. We need alternatives to electricity, oil and coal … we need a dozen more Bill Gates’s to find solutions that involve the sun’s sustainable energy, the wind, the waves. For a few days, we in our village experienced a few temporary discomforts when power was unavailable, but were able to get outside help from places that did have power.

But there will surely come a time when there won’t be enough of anything. The world’s population is estimated to grow to between nine and ten billion within forty years – the lifetime of our grand-children. Two hundred years ago the population of England and Wales was eight million, compared with 56 million now, and it’s the same sort of increase all over the world. So we urgently need more solutions like Bill Gates’s loos.

This is not cause for despair, for all is not lost. Mankind is brilliant at creating marvellous inventions, and resolving problems when it wants to. I’m reading a book called ‘The Great Disruption’ by Paul Gilding about how you and I can do something to help resolve these problems. Watch this space – I’ll let you know!

Food for Threadbare Gourmets

Having had lunch with a friend in her bay window overlooking a long, white, empty beach nearby, and then afternoon tea with a couple of friends to swap books, I hadn’t really thought about what to feed us in the evening. Something quick was wanted, so I fell back on my old standby, my un-orthodox version of kedgeree, made with a tin of salmon – cheap too.

A cup of long grain rice on the boil, two eggs on the boil, half a cup each of sultanas and frozen peas soaking in boiling water, and I was ready to begin. After gently frying a chopped onion in oil until soft, I added a couple of cloves of garlic and a chopped up knob of fresh ginger (you can always use powdered, but fresh is nicer).

When the garlic is soft, sprinkle a teaspoon of powdered cumin, turmeric and a bit less of coriander into the pan, and let them cook gently. I sometimes also use some made up curry powder as well, and vary the amounts of the spices depending on how hot I want it. Better to start with less, and increase it, than find it’s burning the roof off your mouth (I have been known to add some brown sugar to take the edge off a too hot curry).

Now open the tin of salmon and drain, and add it to the mix in the frying pan. Drain the peas and sultanas and stir them in. Add a knob of butter if it needs lubricating. Drain the rice, and add this, gently stirring with lots of chopped parsley. I always find that adding another generous knob of butter improves the taste. Pile onto the plates and chop a hardboiled egg over each helping. Usual caveat – serves two greedy people generously, and three to four well-behaved people – add an egg for each person.

Food for Thought

Lead me from death to life, from falsehood to truth.

Lead me from despair to hope, from fear to trust.

Lead me from hate to love, from war to peace.

Let peace fill our hearts, our world, our universe.

No, not the prayer of St Francis of Assisi, but a translation from the Upanishads by Satish Kumar Born 1937. Jain monk, nuclear disarmament campaigner, founder of Schumacher College, in Devon, England which teaches green values and sustainability, and present editor of Resurgence magazine

Just back from seeing The Well-Digger’s Daughter for the second time, but not for the last time!

I see it’s called an art house film… so a film that has no violence or sex pictured in it, seems to be an art house film apparently. Good for art. So I didn’t feel like a voyeur having to watch heaving bottoms, and listen to other people’s orgasms, and I didn’t have to feel like an accomplice watching fighting, stabbings, shooting, and mayhem.

Instead I watched a story of life and death, love and birth, human pain and human greatness. It was set in the magic countryside of Provence, harsh, rocky, grey mountain ridges giving way to long stretches of olive groves, long avenues of ancient poplars, clear pebbly streams with dappled water beneath the branching pale green trees, and empty, dusty white roads. The well-digger’s farm house was the dream of most westerners, a weathered stone house with faded green shutters at each window, stone sinks and arched door-ways inside, pottery jugs and big old- fashioned soup plates for the cassoulet for dinner. Old barns, a stone parapeted well, and views over empty country-side completed the dream. Long shadows lay across green meadows, and grasses swayed in the evening breezes.

It was that time before telephones, so children ran errands, and felt useful, people wrote letters which were kept and treasured, instead of e-mails quickly deleted, everyone walked miles for lack of public transport and was fit and healthy, while children got enough sleep every night without TV or computer games to keep them awake. It was that time before sprays and pesticides, wind farms and traffic fumes, tourists and agribusiness had changed the old ways, the old beauties, the centuries-old peace.

The music – some of it from old twenties and thirties recordings – pulled at the heart strings the way those wistful plangent sounds of old records always do. And the clothes! – old fashioned thirties summer dresses, elegant coats and hats and shoes. A green crocodile pochette that matched a shapely green coat… a clotted cream coloured cardigan edged with wine dark ribbon, matching the thin maroon stripe in the girl’s cream dress… the scalloped collar on a simple black dress, embroidered round the edge of the scallops in dull red and green.

But these were the delicious details. The people were the story -the well digger- implacable and generous, warm hearted and narrow minded, honest and angry all at the same time; the other father, weary, hen-pecked, dignified and distant; the possessive, petulant mother; the spoiled only son; the well-digger’s troubled, tragic daughter. The emotions of love and lust, anger and unrequited devotion, shame and guilt, grief and joy, swirled round these people as the Second World War broke out. And the birth of an unwanted baby brought together all these warring people and humbled their pride, softened their grief, opened their hearts, melted their anger, dissolved their arrogance and dispelled their petulance.

There were some lovely lines. The rejected lover, prepared to marry the girl he loved, who was carrying another man’s child, is told by her angry, bitter father: “Felipe, you have no honour”, to which Felipe replies, “I have no honour, but I have plenty of love”. (How much pain and grief men’s honour has brought to women, and still does, as we read of so-called honour killings, and women strangled, stoned and even shot by machine gun, so as not to diminish this strange concept of murderous egotism, false pride, and cruelty wrongly named honour.)

When the possessive grandfather tries to claim authority over the baby, his new son-in law says, “He doesn’t belong to you. You belong to him.” And the other grandfather replies, “That’s right, the old can only serve the young”, like all grandparents, putty in the hands of his grandchild.

No doubt everyone who sees this film will understand it differently, depending on their age. But as a grandparent, it reminded me of the days when my grandchildren were small, and I discovered for the first time the bliss of giving unconditional love. The sort of love which accepts the loved one as a perfect and beautiful soul, knowing that all the foibles and problems that parents see, don’t really exist; the sort of love that knows with perfect certainty that their grand-children will grow up to be strong and good even if they don’t eat all their vegetables!

Food for Threadbare Gourmets

Padding is what families need in cold weather, and these two puddings fill the bill. They are hot plain puddings, but also delicious, and old-fashioned puddings are becoming fashionable again. They both need sultanas, washed and then soaked in boiling water to plump them up and make them juicy.

The first, batter pudding, needs the same ingredients as Yorkshire pudding, eight ounces of self raising flour, two eggs, and enough milk and a little water to mix to a pouring batter, plus a pinch of salt. Beat the eggs into the flour and salt, and add the liquid gradually. Leave in the fridge for half an hour. Heat a baking pan with a knob of fat until smoking, and pour in the batter, which you’ve just beaten again. Add the drained sultanas, and bake in a hot oven for an hour, or until risen and cooked. Serve immediately with knobs of butter and brown sugar sprinkled over. A hot and homely pudding.

Bread and butter pudding is the same. You need six slices of good bread – not white supermarket pap. Slice them, butter them and cut them into squares or triangles. Arrange them in a two pint pie dish. Sprinkle over the drained sultanas, and then beat three eggs with three to four ounces of sugar. Add the milk, and pour it over the bread. The pie dish should only be half full. Leave to soak for at least half an hour, before baking in a moderate oven (about 350degrees) for about an hour, or until the custard is set. Eat hot.

Food for Thought

Some day, after we have mastered the winds, the waves, the tides and gravity we shall harness the energies of love. Then, for the second time in the history of the world, man will have discovered fire.

Pierre Tielhard de Chardin, 1881 – 1955. Jesuit, philosopher, eminent palaeontologist and mystic, who was banned from teaching, preaching and writing by the Catholic church, his books denied publication, and his most important book, ‘The Phenomenon of Man’ only published after his death. He is still persona non grata with the church fifty three years after his death.

I saw La Traviata yesterday for the second time in three days, and I’d see it again if I could. Typically, the ultra-modern designer had imposed his ideas on the story and the staging, but he couldn’t change the glorious music, and the heart-breaking love story – so much more moving than Romeo and Juliet.

So Natalie Dessay was required to play Violetta as a heavy drinking tart, not the elegant refined courtesan the real Marie Plessis was. On the other hand, the power and the glory of Il Magnifico, the Russian bass-baritone Dmitri Hvorostovsky, lifted the angry, arrogant, interfering father, the in-advertent villain of the piece, to heights of nobility. There was hardly a woman in the audience or at the New York Met, from which this opera was beamed, who wouldn’t have flung herself at his feet, as the roar from the audience testified. And of course, he’s not just a glorious voice, but also a pretty face – named one of the world’s fifty most beautiful people in a People magazine poll.

But tart or not, Natalie Dessay reduced me to tears with the pathos and beauty of her singing and acting in this part. She looked as ravaged at the end as though she really was dying both of TB and a broken heart..

I hurried home and googled Greta Garbo playing the same role in the film ‘Camille’ in 1936. When I was a teenager, my stepmother asked me to go to a cinema matinee with her. I went from politeness to see this old film from her sentimental past.

I sat through the matinee with her, and she left to go home. I sat through the next showing, and finally the last showing that evening. It was the most beautiful thing I’d ever seen. When I looked at it again yesterday I felt the same. Garbo, at the height of her beauty was utterly ravishing, and the young Robert Taylor was an arrestingly beautiful young man. Garbo played Violetta, or Marguerite, as she was called in this film, with infinite refinement, delicacy and tenderness. Her clothes were exquisite, and even her shoulders emerging from glorious confections of tulle and taffeta, were achingly beautiful. I don’t think there has been another cinema star as beautiful and refined as she was.

The interesting thing was that the real Marie Plessis was just as beautiful and refined. Brought up by an alcoholic father, begging on the streets at ten, sent to be a comfort woman at twelve to an old man, escaping to be a seamstress in Paris, she didn’t earn enough to live on, but found, in conductor Sir Thomas Beecham’s notorious phrase, that she had a gold mine between her legs. By the age of sixteen she had taken up with the young nobleman who was the model for Alfredo in the opera, she had learned to read and write, to ride side-saddle, and acquire all the accomplishments she saw that other women had. She was a fast learner. And by then she had already become a celebrated courtesan.

The country idyll with her young nobleman was broken up by his father just as in the opera, which was based on Alexandre Dumas’ book ‘La Dame aux Camellias’, expensive camellias being her favourite flower.

She was eventually re-united with the young nobleman, and they married in England, though the marriage was invalid in France. But it gave her a title and respectability. The nobleman faded out of her life, but she continued her amazing career, having an affair with Liszt, who appears to have been the only man she ever really loved, and with Dumas who wrote her story. Her salon in Paris included some of the most eminent men of the age, including Honore de Balzac, Alfred de Musset and Theophile Gautier. And then she died at the age of twenty-three.

I’m humbled at what she achieved in such a short space of time, totally self-educated, never showing any sign of her appalling childhood, but personifying grace, beauty, “ a great deal of heart, and a great liveliness of spirit” according to her lover, Franz Liszt.. She conquered one of the mostly highly civilised societies in the world. What a woman. What a girl.

Food for Threadbare Gourmets.

When I was a single mother supporting two children on a tiny wage, tins of salmon were a staple in my cupboard. This recipe for fish cakes involves a tin of salmon or tinned herrings, mashed potato, an egg, and mixed dried herbs.

Boil and mash the potatoes with butter but only a dash of milk since you want them to be quite firm. Break up the salmon, or herrings in tomato sauce if you can get them, and mix them into the potatoes, including the tomato sauce. You need to work out the right balance of fish to potato, but I find one tin will make about eight round fishcakes. Add an egg to the potatoes and fish to bind them, plus lots of mixed herbs to taste, salt and pepper. Divide into fishcakes and roll in flour. Fry till both sides are nice and crisp and the inside hot. If you have any left over, they can be re-heated in the oven, and I often made a double quantity so there were plenty the next day. Serve with green vegetables or a salad, and make a tomato sauce with fried tomatoes, olive oil, and a touch of sugar if you feel like it.